Saturday, November 6, 2010

Oct. 14, 2010: Talking White Elephants with Katie Haegele




Katie Haegele is my new friend. She is also one of my new favorite writers.

We met in the Anchor Archive Regional zine library on Roberts Street in the North end of Halifax in early Sept. 2010. I biked over from my brother's house on Bloomfield St. after my beard knitting friend Rebecca told me about her project of writing about yard sales. I was visiting for a week, and I wanted to interview her for These Things That People Make. Inside the zine library, She was sitting on the little white couch so small, that it would be impossible to sleep on (except that I'm pretty sure I've tried to sleep on it at least twice). There were zines in small piles around her and two people other people in the small room worked on a flyer criticizing the "Sex with Sue" tour. Katie was on an artist residency at the zine library. She was visiting from Philly. I imagined we'd make a time to do the interview, and we'd go out to a diner or something, eat an amazing and cheap breakfast and do a cute, fun and inspiring interview. I imagined that would be it. I'd wish we'd hung out more, but we wouldn't. I'd dream up a plan to go to philly and look her up, walking in parks, having good conversations but not really knowing each other.

All of that would've been fine. Great, probably. But instead something even better happened: we ended up spending a lot of time together. Visiting my second home of Halifax that week became an intro to a really exciting and awesome friendship with Katie. I missed her when I flew in an airplane back to Toronto. I was sad to leave her at the yard sale she had to launch White Elephant #4.

Katie write about yard sales, rummage sales, going to these exciting local events with her mom. She launched this zine by having a yardsale, but she didn't have anything to sell at the sale, because she was just visiting Halifax. So people donated stuff, and we went out and tried to figure out when garbage night was. We were unsuccessful. It was tricky too, because of all the bedbugs that are around lately. We had to be careful. Mostly, we just found a handful of other people's photographs.

Aside from White Elephant, Katie also writes a zine called The La La Theory. you should check it out. In fact, check out her website. Thats a great place to start: http://www.thelalatheory.com/. Check out the Anchor Archive's website too, while you're cruising the internet for amazing stuff: robertstreet.org.

We did this radio interview, post visit, over the phone, once I was back at work in Guelph, and she was back home in suburban Philadelphia.


While I listen back to the interview, I think about how well Katie writes about being attached to old things, or the ideas of them. Memories we can't quite reach. She writes with the private conversational language of a private diary. But its also very well composed and not at all an over share.


It has come up in the last two interviews, this one, and the one with Eileen Myles, this decision to not write authoritatively.
I think I'll drink some more coffee and think about that some more.

music played during this weeks show: The Kills 7 inch, the kettle black 7 inch.

Friday, October 22, 2010

Oct. 7, 2010: Eileen Myles: New Book. Inferno



Eileen surprised me with her openess. Eileen Myles' writing kicks my ass. Her writing is like talking. Really smart, and hilarious and introspective and punk rock? Who knows what punk rock is. It was moving to talk to her. It was the best thing. Hard to describe. Listen to the interview instead of reading this blog. It speaks for itself.

Read Eileen's New Book: Inferno, published by O/R

http://www.eileenmyles.com/

Saturday, September 25, 2010

Sept 23m 2010: The Calls for Submissions Show!

OMG! So many great projects happening! Check these out and get to work!

1. Studio 303 CALL FOR SUBMISSIONS : Edgy Women
CALL FOR SUBMISSIONS
Deadline : October 1st 2010
Studio 303's annual feminist fiesta presents a programme of politicised, experimental, and playful performance and workshops, lectures.
Edgy Women presents performance work with a feminist flavour by emerging and established professional artists of any gender. While the festival spotlights work by women, we are keen to show work which whether overtly or not, addresses contemporary and ever-evolving issues around gender and/or feminism.
Edgy highlights new artistic practices, non-verbal expression, and content-driven work. For artists who have not yet presented work at Edgy, we recommend that you submit finished pieces vs. new creations. Honourariums are paid, but there is no budget at this time for travel or hosting expenses. The La Centrale program is by invitation this year, but we are accepting submissions for the following 4 categories :
-Edgy Cabaret (Sala Rossa, March 19): 5-7 min. works in a bar atmosphere);
-Tangente programme (stage work, March 24-27): 15 to 30 min. works, dance-friendly venue;
-Mainline (stage work, March 30-April 1): 40 min. to 1h piece (important : the MainLine has a cement floor, audience on 3 sides and a low ceiling) ;
-Edgy Boum (Mainline, April 2nd): party with performances or installations (mostly interactive site-specific performances)
How to apply
We must receive your submisson by the deadline by email including the following documents:
- MANDATORY : application form
- Biography (max. 1 page)
- Project Description (max. 1 page)
- Link to an online video and viewing notes. NO DVDs ACCEPTED.
Please send your submissions by EMAIL ONLY at edgy@studio303.ca
Note : We aim to give an answer within 3 months after the deadline.
On the edge of arts, disciplines and gender politics, Edgy Women (is) Studio 303's annual celebration of boundary-pushing artists.
- Lina Harper, Montreal Mirror, March 2009
Audacious entertaining art.
- Hour, March 2009
Runs the gamut from video and performance to intervention, installation, theatre and dance. Or, most often, a hybrid of all possible forms.
- Montreal Mirror, March 2009
Studio 303
372 Sainte-Catherine Ouest Montreal, Qc, H3B 1A2 514.393.3771
www.studio303.ca, info@studio303.ca


2 .Polyamory and Patriarchy Zine Questionnaire

These questions are for a zine I’m writing about polyamory and patriarchy. So often, people feel either that polyamory is the only revolutionary way to be intimate, or the worst way. I’d like to hear what you’ve learned from polyamory – ways it felt liberatory, and ways it may have felt like familiar oppressive gender roles dressed up in revolutionary language. My agenda isn’t to discredit polyamory, but to identify how much we have to learn about truly liberatory relationships.
These questions are fairly personal and ask you to revisit some painful memories, so please take your time, answer only what you feel comfortable answering, and let me know how you want your anonymity protected. Please use pseudonyms! Do give me contact info, though, if you want to review how I use your material before the zine is published. Please send your stories to: polypatriarchyzine@gmail.com, or mail them to 4951 Catharine St., Philadelphia, PA 19143.

(you can read the questions at: http://doriszineblog.blogspot.com/)

3. It’s Down to This” is a new zine compilation that aims to give space to step back, take a deep breath and reflect on where we’re at.

Reflecting on our experiences with community accountability processes, survivor support, or general efforts to cultivate community response to sexual violence- this is a space to talk about our experiences with this work, what we have learned, where we want to go from here, what we feel, what we want others to be able to hear, see, think about, engage with.

It is an attempt to further give voice to our efforts and experiences in doing this work, to give space and voice to silence. To know and hear how we have survived in this work, how we have sustained this work, or why we burned out. To further document our attempts at figuring out what community accountability looks like, or what it even is. To be able to reflect and grow from our mistakes and epiphanies.

SEEKING: stories, essays, interviews, comics, artwork and thoughts reflecting on working around accountability and community response to sexual violence:

What has it looked like? What has it entailed? What could it look like? Who does it involve? In what ways? How is a community responsible? How is a community involved? What can an accountability process look like? What has it looked like? What works? What doesn’t? What were the fuck-ups, the successes?

*These questions are asked with the assumption that confidentiality will be respected and that stories will not be shared if they are not yours to share.

*The word ‘community’ is used with the awareness that it is often used problematically.

Looking for submissions that:

- explore the importance of accountability and support work as an act of community building and collective liberation, that express the importance of this work within social justice movements.

-reflect on the support, empowerment, recovery and growth that have come out of this work

-reflect on the pain, trauma and frustration of this work or which is inherent in this work.

-develop ideas and methods of sustainability around this work

-look at the social and political contexts in which community accountability and response to sexual violence and partner abuse grows and exists.

-share our stories

Anonymity and confidentiality will be respected.

DEADLINE: October 22nd, 2010

For info and submissions contact: responsezine@gmail.com

Feel free to send in ideas/proposals and ask for feedback!

4. call for submissions - Substance: on addiction and recovery
CALL FOR SUBMISSIONS ON ADDICTION AND RECOVERY

Substance: On Addiction and Recovery is a collection of peoples’ experiences with addiction and recovery in radical and/or marginalized communities. Not just a text to break the silence, Substance is an opportunity for those affected by substance abuse to make meaning of our lives and create opportunities for lasting social change. Substance: On Addiction and Recovery will be a book that transcends the mainstream discourse regarding addiction and recovery and forges new pathways towards healing and the reclamation of our lives.

I am open to essays, poetry, personal narratives, photography, art, comics, collage, and more.

Please be in touch with questions and submission ideas: substancebook at gmail dot com!

Potential topics:
• personal narratives of addiction and/or recovery • support groups • radical sobriety • harm reduction • silence and stigma • withdrawal and detoxification • the intersections of race/class/sexual orientation/gender identity/disability status and addiction • creating and sustaining community support networks • how addiction intersects with activism, sexuality, health, sexual and intimate partner violence, mental illness, privilege, oppression, identity, capitalism, the state, work, and
creativity • current or historic examples of community-based groups that focus on the politics of addiction or support of community members • healing from addiction • self-medication • overdose and death • incarceration and criminalization •

In addition to pieces by individuals, I'd like to include a few pieces about the work that community-based groups have done to address the politics of addiction and recovery and to support those dealing with substance abuse. If you are a member of such a group, please feel free to write.

THE DEADLINE FOR SUBMISSIONS IS MARCH 7, 2011

Additionally, if you know anyone who would like to donate funds of any amount to support the printing of this book, please have them contact substancebook at gmail dot com!

Please forward this message on, and spread the word!

5. Graduating into Unemployment
We’re creating a zine collecting art and writings on feelings, struggles, copings with adjusting from student life into unemployment, or into unstable employment (i.e. being in and out of work, or on
temping contracts).

Submissions can be personal stories, artwork, comics, poetry, political discussions, or whatever else you can manage to get on paper.

We would like to encourage submissions on topics that relate to identity, class, gender, sexuality, citizenship, colonisation, ethnicity, and dis/ability. Submissions should be no longer than around 1000 words.
Anonymous entries are welcome.

Submission deadline: 30 NOVEMBER 2010
Send your submissions, questions, and thoughts to unemploymentzine@gmail.com

6. Rare and Raw Exhibition: http://www.akimbo.ca/submissions/?id=20520&ref=nf

7. Canadian Gay and Lesbian Archives First Person Narrative Project: http://clga.ca/index.shtml

8. The Molotov Rag: http://hi-in.facebook.com/group.php?gid=109989430671

Wednesday, September 22, 2010

Sept 16, 2010: When I Grow Up!


Jae Awmack went to an independent bookstore in Vancouver looking for a book about being a transboy, so that he could share it with his young cousins. The store owner said they didn't have any and maybe he would have to write one himself. This seems like a cheesy story. A DIY story where we create the world we want to see with black jeans, thread and duct tape. Sometimes thats what you have to do, though. Sometimes you have to create the resources you can't find, as cheesy as it sounds. Jae wrote a cute, beautiful story about a young transboy who goes for a walk to find some acceptance when his parent's don't understand him. The illustrations are done in plasticine. The words and story are not complicated. Sometimes things don't have to be complicated, even though adults tend to think issues of gender identity are complicated, and tend to think children will not understand transexual, intersex and transgendered identities. In my experience, its never the kids who don't get it, its the adults who have lived in the world long enough to fear it. Jae is currently looking for a publisher for the book. I'll let you know when it comes out, and how you can find it. Jae is based in Halifax, Nova Scotia.

Tuesday, September 7, 2010

Sept 9, 2010: Debbie Power is the Happiest


Debbie Power created the International House of the Happy Face above her Husband's Garage in downtown Dartmouth, Nova Scotia.Debbie is geniunely happy. Not fake. Not over the top in personality, but definitely over the top in collections. Her mueseum is a challenge to describe with any accuracy. She has shelves and shelves of toys and objects of ALL kinds that have happy faces on them, albums with images of happy faces. Thousands of happy faces. She has a garden filled with rocks she has painted with quotes to inspire happiness. Debbie Power and her International House of the Happy Face are truly unique and amazing. I'll be back to visit her again for sure. Find her at 22 Wentworth St. Call to make an appointment: (902) 463-6287

Sept. 2, 2010: Two Rivers Neighbourhood Group Daycamp Audio Collages!


I had the pleasure of spending time with the Two Rivers Neighbourhood Group Daycamps this summer. Participants learned how to use audio recorders, and made their own sound collages. This show featured the collages they made! Great Work!

For More info on the Two Rivers Neighbourhood Group, visit: http://guelph.ca/living.cfm?smocid=1833

Aug. 19 and 26: Independent Book Culture in Toronto: an interview with Charlie and Jesse Huisken of This Ain't the Rosedale Library



Toronto has money. But no money for small bookstores. Pages bookstore has recently closed. The Toronto Women's Bookstore has been calling for support to stay afloat, as well as Glad Day Books.

Toronto has money from developers and rich professionals moving in, and rent going up. Independent bookstores can't pay high rents created by condo developments.

We need small publishing houses. We need small independent bookstores. What does it say about Toronto's priorities (and Canada's priorities?) When writers can't make any money from writing, where there is very little financial support for writers, small publishers and small stores? Its looking bleak.

I met up with Jesse and Charlie Huisken of This Ain't the Rosedale Library - a great independent bookstore that has recently been forced to close (at least temporarily). We drank coffee, and sat outside in the extremely hot sun and talked about the history of This Ain't the Rosedale library (around since 1979), modernism and literature, lack of places for book events, for readings for people to meet, what it means for readers in Toronto if we can't find books we're looking for (or that we don't know exist yet?), or develop a sense of bodies of work. Ideas suffer,grass roots politics suffer, we aren't learning from eachother as much as we could be (in a big way),amazing writer's work goes unread and unknown because its just not being distributed, its all very frusterating and depressing.... and yet....talking about this with Jesse and Charlie I can't help but feel encouraged and inspired by their dedication, by their ability to reflect on, and sum up book culture, gentrification and the value of books. I have met like-minded people who have worked so hard for things I believe in too.

Since conducting this interview, I keep talking about this. I wonder about calling on our municipal, provincial and federal government, and arts councils to consider a responsibility to book and literary culture, not through sponsoring once in a while big flashy festivals, but investing in the people who really put the work in. Not just people who are famous for the moment. Not just people who get 15 minutes on the CBC.

I don't know. I don't trust the federal government. I don't trust the province of Ontario. I don't know how much I want them involved in independent bookstores. But I wonder about what could be done. Maybe rent for small bookstores could be subsidized, or maybe there could just be far better rent control for all small businesses.

When only big stars of writing are celebrated. When we have a few big festivals and awards, and those are the books that people buy, theres all this other stuff authors are making... how do we find it? How do we support authors doing this exciting and essential work? When big corportaions (like Chapters) control book distribution, consider big store's political priorities, consider what books would be threatening or challenging to this big power in various ways. Think about all the books on your shelves and where you found them, or how you learned about those authors and think about how to support small bookstores, small publishers, earnest amazing writers, how can we support all of this more? We benefit from all of this. This is how we learn about ourselves. This is how we learn about our culture and our history. this is how we continue the conversation.

Check out: http://www.thisaint.ca